So I’m at my friend’s book launch eating a second piece of honey cake, listening to a man read a bookish poem called Library. My people, I think, sipping black coffee. I’ve had a seriously devastating week and swimming in someone else’s head is a physical relief.
He reads from a napkin covered in ink and I smile, chewing. Because it’s like that sometimes. Inspiration comes and you grab the nearest thing. Because it needs to come out. And I acknowledge how much courage it takes to stand up and share. And how long it’s been since I’ve shared. And why.
I pop a fat, dark grape in my mouth. Contemplate despair. Swallow more coffee. And clap when he’s done, sitting up straighter because it’s my friend’s turn to shine. And she does.
Her book, Honey in the Vein, is about Mary of Egypt, a 4th century prostitute come saint. I’m neither religious nor Catholic, so my saintly knowledge is limited. But E.D.’s poetry is visceral and I feel her. Mary, I mean. And fall into a dusty world of parchment and candlelight. Of rough fabric and hungry men. I listen. Suck honey off my fingers, close my eyes, and
here’s another room.
Warm. Modern. A man runs a wanting hand along the books. Sees the one he wants. Slides a finger down a spine. Oh god, he-
Wait.
Words come hard. Fast. Sensuous. Settling on me like little provocations. Each syllable a breath. A finger across my neck. And he
Wait.
Is this a poem?
I opened my eyes. Recognizing.
NOW? I mentally ask the Muse, surprised at the intrusion. But also, where have you been? I really want to ask, but don’t. Her company is too precious. Too fleeting. And
Yes, now, she purrs. Reminding she’ll come whenever she wants and I best be grateful. But it’s coming too fast. I have no paper. Just a plateful of crumbs, naughty feelings, and a bunch of words needing urgent . . . attention.
My eyes lowered to dangerous almonds, fingers aching for my pen.
I couldn’t drive home fast enough.
I tore upstairs. Grabbed my notebook. Opened to a blank page. About fucking time, it grumbled, bitter with negligence. Don’t you start, too. I wound my hair in a bun, clicked lead from my pencil, pulled my bra through my sleeve and dropped it to the floor. The last thing I wrote for public consumption was in January 2022, before life drove me to my knees in the least pleasurable way.
I scritched until the tip broke.
***********
For No One
Something about my pale cover
draws you
the one you shouldn’t read.
Running your finger
the length of my spine
Needing to know what’s
inside
You pull me from my place,
hidden
my weight a comfort
in your tired palms
And sigh my name
when we’re alone
Slide me open
with a finger
my lines and folds
beneath you
o p e n
And sink into my words
delicate pages
syllables on your tongue
their cadence
and spaces
pictures firm of
you
inside
a room with no sound
holding me close
savoring that part
again
and again
Just one more time
because you like the sound
My careful sentences
soft in your mouth
hard punctuation.
no participle dangling
fingers busy
turning pages slow.
bending
folding
holding
your place.
returning me
to no one.
Your stolen copy.
************
I stared at my words.
Slight departure from ghosts and Beatles. But whatever.

Excellent composition, a sensual dreamwork.
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Thank you!
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It’s been too long! I hope you continue to find inspiration.
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I have few words: Soft. Contemplatative. Sensation expressed without shadow or shame. Hang on! Anticipation of a something distant but familiar. The purity of your words nearly knocked me to my knees – had I not been sitting.
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High praise indeed. Thank you for this thoughtful review. ❤️
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Subscription confirmation expired. Saw it too late. Another please???
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FYI: the man reading the napkin was Alex Z. Salinas, and the napkin poem was was from his astonishing book, Trash Poems.
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