BOOK LAB: Back to High School.

I got in trouble in junior high for making a ‘slam book.’

The offending questions included: What’s your favorite tv show? and How many siblings do you have? and Who’s your celebrity crush?

My classmates passed it round and round until I had long lovely lists of people’s answers. And it made me very happy.

But then a teacher found it.

“I know these aren’t mean-spirited questions.” She held me after class, holding the folder front of me. “But these sorts of things aren’t allowed.”

“Why?” I dared, staring at my meticulously decorated folder. There was puffy paint on there and everything.

I wanted it back.

“Because someone’s feelings could get hurt.”

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I felt the weight of unfairness then.

The crushing despair of CENSORSHIP.

How dare she. Those answers didn’t belong to HER.

They belonged to US.

I died a little when she put MY property in her top drawer and shuffled to my next class defeated. How was a list of t.v. shows gonna hurt anyone’s feelings?? —I still remember The Cosby Show was the most popular answer. — I just wanted everyone’s thoughts!

And I still want people’s thoughts.

See, adults do the same thing . But they call them quizzes and questionnaires. Hell. Nowadays, teachers pass similar questions to students as a ‘getting to know ya.’

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I’m not bitter.

I just keep on keeping’ on.

But I never (ever) forget, Ms. Williamson6thgradesocialstudiesJohnstonJuniorHigh.

And with that, a new Book Lab was born. AND I made a new questionnaire, thank you very much.

Here’s a list of our favorite words:

commodious

planchette

soixante

symbiotic

oxymoron

onomatopoeia

parallel

succubus

semáforo

spirit

visceral

savage

salty

didactic

fiduciary

Are you offended? Anyone’s feelings hurt?

Didn’t think so. 

(I also must give Nedra props for knowing how to spell ‘onomatopoeia’.)

Anyway,  Book Lab isn’t always academic. I thought it’d be fun to revisit our teenage selves. Regress a little.

So a new assignment was born:

Pick a book that would’ve appealed to your 16-Year-Old Self.

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Easy right?

We hit the Young Adult section at the library.

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And this would be interesting.

After all, we were:

  1. An academic.
  2. A punk-rocker.
  3. An introvert.
  4. A cheerleader.
  5. A social activist.
  6. And a debutante.

(at least in high school).

For reals.

But before I go on, would you like another offensive list to read?

Here are our favorite cheeses:

  1. goat cheese
  2. manchego
  3. Farmer’s cheese
  4. goat cheese
  5. parmasean
  6. brie

(Chèvre for the win!)

On that note, we headed to Blue Dahlia, ordered wine and nibbles and revealed our picks!

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Book Lab’s celebrity guest this round is Monica. Monica’s favorite colors are yellow and red, and says the closest thing to real magic is déjà vu.

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Monica also has fun nails.

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******

This is Nedra.

Nedra likes pink and green and would name her yacht “Boat Hair, Don’t Care.”

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Nedra also has an impressive ability to pick books that inspire weiner jokes.

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******

This is Petra.

Petra likes blue and purple and says Physics was the worst class she ever took.

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Petra also grew up in Amsterdam, so her high school years were probably way funner than ours.

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******

This is Anna.

Anna’s favorite colors are red and black and says she’d pick ‘Marisol’ if she had to choose another name for herself.

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Anna’s favorite bands in high school were The Cure, Bauhaus, and Joy Division.

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******

This is Emily.

Emily likes various shades of blue. She also likes to pet kitties and write poetry in her spare time.

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She also wins the rare I-Look-Like-My-Book-Cover Award.

******

And then there’s me.

Hi.

My favorite colors are orange and magenta and the worst class I ever took was 10th grade geometry because the teacher was a SADIST.

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(Guess who was the cheerleader.)

Anyway.

It was time to give our books the Page 69 test.

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For those of you not in the know, we always read snippets from page 69. If the passage is decent, then the rest of the book probably won’t suck.

(Only one of us was dubious after this exercise.)

In a few weeks, we’ll reconvene and discuss our picks.

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But FIRST some more lists:

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*You leave tonight for an all expenses paid week ANYWHERE. Where you going?*

  1. Iceland
  2. PARIS!!!
  3. Fiji
  4. Walt Disney World. I’d stay at the Grand Floridian with the Deluxe Dining Plan.
  5. Bombay
  6. Greece

*What’s the closest thing to real magic?*

  1. Answered prayer & instant karma
  2. Real time answered prayer & good poetry
  3. Finding true love
  4. Serendipity
  5. Déjà vu
  6. Going to the beach with a boyfriend

And lastly,

*Where’s the strangest place you’ve peed?*

  1. In a cup in the H-E-B parking lot
  2. In a friend’s backyard. It went down my leg and scarred me for life.
  3. In an olive grove in Spain.
  4. Any toilet in Venice. They’re all nasty.
  5. A hole in the ground in the south of France.
  6. Behind a London bus stop.

******

And now I’ll leave YOU with the question that stumped all of us.

If YOU were transported 400 years into the past with NO clothes or objects, how would you prove you were from the future? Hmm?

Let me know.

Keepin’ it classy until next time,

Jennifer

 

 

 

 

 

 

 

 

 

 

 

 

 

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Green Dot Mystery: What REALLY happened at the Myrtles.

Is Myrtles Plantation really haunted?

I found THIS in a library book a few days before we left.

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By we I mean me and Emily. Friend, fellow writer, and the only other chick I know with a selection of kaftans.

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I find stuff in books all the time. And though June 23rd was already behind us, I felt it was some kind of message. I showed it to Emily who lived in New Orleans and knows about this stuff.

“June 23rd is St. John’s Eve,” she explained.  “It’s the Voodoo High Holy Day.”

I also learned (according to voodoo practitioners) the spirit world comes closest to the living on St. John’s Eve.

So Emily and I drove to Louisiana with high hopes and fun outfits. Real-life hauntings are fairly rare, but the Myrtles is generally agreed (among paranormal professionals) to be legitimately haunted.

Are we the kind of dorks that prance around plantations in kaftans?

YES.  Yes, we are.

IMG_2562We chose the Fannie Williams ( A.K.A Doll) Room because it looked the creepiest online. I mean, who doesn’t want to sleep next to a frozen porcelain child?

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I expected to be blasted with feelings upon entering the property, but that wasn’t the case. I will say the grounds and surrounding wooded area felt charged in that static-y way prevalent in ‘haunted’ places. But if I feel that in open air, it probably has more to do with the land than the house.

NOW–

If a house is built ON that land, then certain rooms will be susceptible to that same crackly energy, spatially consistent with whatever’s happening outside. Does that make sense?

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We wanted to explore the property before it got too dark. I don’t know what Emily felt on that initial walk (we separated for objectivity) but I couldn’t block out the past.  It must be the same at Auschwitz or Ground Zero or any other place where history hides its face in shame. And it has nothing to do with ‘ghosts.’

I can’t walk on an old plantation and not think of slaves. Especially the children. And it made me feel gross and consumer-y seeing their old quarters spit-shined into little cabins. Porches lined with rocking chairs overlooking a pond full of screaming frogs.

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But was it HAUNTED?

I did some research before we left.

Whereas the Myrtles sustains its reputation on a VERY compelling photo of “Chloe” and her illicit relationship with owner Clarke Woodruff, there’s no actual record of Chloe having existed. —At least no written proof.

The story goes that Clarke Woodruff forced young slave Chloe to be his concubine; and that one day he caught her eavesdropping, so he cut off her ear. Chloe took revenge by mixing deadly oleander into a birthday cake, killing Mrs. Woodruff and her children and BOOM! the place is haunted.

But here’s the deal.

Sara Woodruff (fact) and her adult children (fact) died of yellow fever in 1823 and 1824. So the “Chloe” story, whereas super fun to tell around a campfire and on tours at 15 bucks a pop —-is false.

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So who is this ghost in the famous photo?

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Is it really a ghost?

I believe it is.

And what about this pic?

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If these photos are legit —and I think they are— then something’s wandering this property.

But what? Who? 

Emily and I walked beneath mossy oaks, quiet and thoughtful because old trees have seen a lot and deserve respect. But also because that feeling I described earlier. Like the house and grounds are living, breathing entities and you wanna tread lightly so as not to disturb.

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So we took photos. Slapped mosquitos.

Emily collected moss.

I found a penny and put it in my pocket.

And then it got dark.

So now about the room.

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Pretty, right?

Apart from a mutual feeling we needed to keep it tidy, there were no overt signs of spirit. Still, we took showers, prayed, and meditated to get our minds right, then headed to the patio for our own private happy hour.

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And let me tell you.

Sitting under a bright moon with a dear friend drinking bubbly on sacred ground is a special feeling indeed.

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Isn’t it lovely?

I felt super-privileged holding a room key while drive-by ghost hunters milled around whispering, their camera flashes perforating the night. Particularly busy was the corridor where ‘Chloe’ was captured.

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Between the crowds and prosecco, I couldn’t tap into the house.

So we talked.

We talked about books, ghosts, angels, poetry, history, travel, intuition, Louisiana heat, and wondered how our night would go. Finally it was just us, the moon, and a thousand frogs challenging the cicadas to we got spirit, yes we do!

Emily stared at the house.

“I want to go on the porch,” she said, emptying her wine.

The porch was an extremely long wooden wrap-around, and dark as hell.

“Let’s go.” I drained mine, too.

We grabbed our cameras and ducked under the chains separating the porch from the public.

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We walked up and down.

Back and forth.

Quietly.

Separately.

Trying to feel.

Then Emily called me over.

“I feel nothing until I walk by this window,” she said. “This one feels different.”

I met her at the tall window.

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It was one of those concentrated energy spots. Nothing major. But she was right. We put our hands on thick glass, smeared with condensation — and both felt a low-level vibration. Maybe like a refrigerator humming but way less than that. And as we stood there acknowledging, I’ll admit the feeling deepened.

We peered inside.

Dark furniture outlined a pretty room. If it were a movie, it’d been the perfect time for a face to appear and scare the crap out of us.

“Let’s take pictures,” I said, backing away.

I own no fancy ghost-detector equipment. Just intuition, pen and paper.

(and iPhone).

Please find the two greendots in the following photos.

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These anomalies are definitely worth a closer look.

What’s interesting is:

  1. They move in tandem along the porch. Sometimes close, then further apart. But together.
  2. Look at their shape. In the last photo (if you zoom) they almost look like shoes.
  3. There are tiny tracers behind them in each photo.
  4. They’re green.

Is it reflection from a porch light?

Don’t think so.

There are dim lights all along the porch. Plus, reflections don’t move.

Is it green light reflecting from the hanging fern?

(Probably not.)

Is it light catching the bugs?

Mmm . . . maybe?

But I don’t think so.

Please see the ‘orb’ in the left side of this photo.

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That’s a bug.

So is this evidence of a ‘ghost’?

I’m sticking with MAYBE and I want to go back.

Anyway, it was time for bed.

I’m happy to report no dolls moved while we were sleeping. The only disturbance was our drunk-ass foyer neighbors coming in late.

The next morning we took the house tour, where a VERY impressive guide took us room to room, relaying house history and a whole lotta lore.

Here, she emulated Chloe eavesdropping on her master.

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And I gotta tell you. I started to feel a little bad for the late Clarke Woodruff. Like, obviously I didn’t know the guy. And maybe he did have his way with a slave.

But maybe he didn’t.

Yet this is his legacy. A child-raping, ear-lobbing philanderer.

I found myself wondering what really happened in those bedrooms. Staring at flaking wallpaper and imported chandeliers, I could almost imagine.

And imagine I did.

Knowing Chloe’s story was mostly made-up, I started adding my own details.

We weren’t allowed to take photos in the main house. But finally we got to the hot spot, the room we peered into last night. And our guide confirmed something:

“Every psychic, every medium who’s ever come to Myrtles says this is the spiritual center of the house.” She opened doors to Mrs. Woodruff’s pretty antique parlor.

We oohed and ahhed at the paintings.  The sewing box. The little writing desk. The petit-point settees.

“ . . . a vortex, if you will.”

(I won’t.)

I hate the word vortex.

But it affirmed our feeling that something was UP with that room.

In summary, I think it’s kind of shitty that Mr. Clarke Woodruff goes down in history as a slave-rapist. I mean, what if he was a super nice guy? What if his wife was the asshole?

Coupled with that note I found at the library, a little voodoo history, and our own Myrtles experience, my story was born.

I finished my first draft of Rosie & June a few weeks later, and insecurity crept in while editing, like maybe I took it a little far and shouldn’t publish. But minutes later (literally), a friend texted me from Half-Price books, where she found a signed copy of MINDER.

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With that little sign, I published.

I hope you enjoyed Rosie & June Get a Room.

If anyone has theories about the green dots, I’d love to hear them.

As for the Myrtles, I wanna go back and stay in a different room. (You in, Emily?)

Thank you as always for reading.

love,

Jennifer

Rosie & June Get a Room.

Rosie & June

“It’s hotter’n Satan’s nutsack.” Rosie shoved a lollipop in her mouth.

“Satan’s nutsack?” June glanced over from the driver seat. “Really?”

Rosie shrugged, staring between tall pines, blending as they sped past. Louisiana was a convection oven, especially in summer. And they’d spent ample time unsticking thighs from leather seats since crossing state lines. June cranked the a/c HIGH and Rosie tucked her lollipop in an empty can of Big Red. 

“D’you suppose Satan even has testicles?” She examined a cuticle while June checked her phone for directions. 

“I can honestly say,” —she squinted at a passing sign— “I never thought about it.”

“Well, think about it.”

“Should be up here on the left.”  She checked her phone again. 

“Do you think there will be ghosts?”

“Probably.” 

Should be, anyway. Their trip was conceived during last night’s episode of America’s Haunted Hotels and spontaneously executed. Rosie and June huddled on their grandmother’s old couch, knee to knee, full of Chardonnay and M&Ms, mesmerized. 

Let’s go,” Rosie whispered, her pretty face blue with nighttime tv. The creaky stairs. The upside down keyholes. (The slave girl caught on camera!) And more they aired, the faster they chewed (though separating some because blue dye gave you cancer). “ . . . I feel strongly we should go, Junebug. I’ll pay for gas.”

June looked at her cousin.

“For reals. Let’s book it.” Rosie shook her knee for emphasis. “That room with the dolls. If it’s meant to be, it’ll be available.” She reached for the laptop.

“Okay.” June drained her glass. “But—”  She peered down the dark hallway.

“But what?”

“Come pee with me first.”

* * * * * * * *

Rosie and June were born 6 months apart, to sisters currently not speaking. 

Rosie’s mom called June’s a Bernie-Loving Socialist Retard on Facebook, so that was that. But the girls had been inseparable since birth. June was called ‘June’ because all her life her momma wanted a gemini, then Fate delivered. You coulda called her May, her sister muttered, lighting a Kamel. (Rosie was named after Rosanne Cash).

Diapers to sippy cups, Blue’s Clues to backpacks, the girls were inseperable despite their mothers, and pinkie swore Best Friends Forever in 1st grade. 

Rosie accepted asparagus under the table so June wouldn’t have to choke it down. June slapped Melanie whats-her-face when she called Rosie fat in 4th. They playacted Grease together (Rosie let June be Sandy) and swapped bracelets. Stickers. Sun-In’d each other’s hair. Always went easy on each other in Truth or DareTraded clothes. Secrets. Quizzed each other for the spelling bee (Rosie won with Halcyon).  Grew boobs at the same time. Started periods 4 months apart. 

While their mothers argued, blamed, and reunited year after year, the girls remained tight. June stood guard when Rosie french-kissed Jonathan behind the Sac-n-Pac in 9th, and Rosie forgave June when she slept with him in 11th. They tried pot together, traded essays, attended the same college, though majoring separately (June: Political Science) (Rosie: Jewelry Design).  

. . . but their lives continued in tandem. 

Twin Flames, June’s Mom smiled.

Liberal bullshit, Rosie’s mom lit another Kamel.

The only thing their mothers shared was premature grey and the loud absence of husbands. Which meant the girls also shared a lack of fathers (never discussed) and they stayed out of trouble, mostly. There was that time they carved ❤ DiCaprio ❤ in their wrists with safety pins and June’s got infected but—

Omigod.” Rosie clicked the website. “The Doll Room.” She looked at her cousin. “It’s available.” 

June drained her Chardonnay, popping a blue M&M because she suddenly felt brave.

Do it.”

* * * * * * * *

The sign was old, in need of paint.

~Welcome to Myrtles~ 

Home of Mystery and Intrigue!

They slowed over gravel, siding up to the old white house, majestic and secretive like antebellums often were.

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“It’s smaller than I thought.”

Turn around.

Hmm?” June popped the trunk and opened her door, hoping for a breeze.

“I didn’t say anything.” Rosie checked her teeth in the mirror. “Ready?”

They walked toward the house, everything mossy, green and white.

“Christ, it’s hot.” 

“You should drink water instead of Big Red.”

“Imma be drinking beer in a minute.” 

June eyed the long, wooden wrap-around porch and clean sash windows, imagining a bevy of Belles fanning themselves, snapping for iced tea, when movement diverted her gaze to the second floor.

A dark hand released the lace curtain. 

GO.

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She squeezed her keys and Rosie grabbed her elbow, pointing to the famous spot. “Look, Junie! The breezeway!” 

Their sandals slapped up steps to guest reception where an older woman stood behind the counter, counting change.  “Ya’ll made it!” she declared.

They dropped their bags. “Barely.” June grabbed a pamphlet to fan herself. “We almost melted on I-10.” 

“Well, you’re here now.” She pushed a large brown book forward. “You all just sign here.” She looked at her watch and smiled, watching June sign her name in cursive.  “I’ll show you girls your room.” She walked from behind the counter skirts swishing, leading them back to the porch.

“Just up these stairs.”

“Why is the key hole upside down?”

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“To confuse the spirits,” the woman smiled, pushing the green door open. “Ya’ll be careful on these stairs now.”

Rosie elbowed June, grinning like the Cheshire Cat. The very steps they watched on tv last night!

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 . . .which meant those creep-o portraits would be at the top of the stairs.

Bingo.

“That’s General Bradley,” the woman nodded. “Our original owner.”

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“Why so glum, Mister?” June smiled. He looked like a founding father, except . . .  miserable. The lady hanging next to him was even worse. 

No a/c,” Rosie whispered. 

Or queso,” June whispered back. And the girls squeezed hands. They were actually HERE. They looked around the foyer. America’s Haunted Hotels accurately captured the house, its clean lines and sparse period decor. But it couldn’t convey the stillness.

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“So quiet,” June observed.

“You have the place to yourselves,” the woman said over her shoulder, slipping a long key in the far right door. It croaked open to spacious room, dim with natural light.

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“Ohh cool.” Rosie rushed in, making a B-line for the dolls.

“We’re the only ones here?” June followed her in. The room was old-fashioned and airy, washed in creams and pale blues. It might’ve been a nursery, once upon a time.

“It happens sometimes. Towels are in the washroom and extra blankets here, though I doubt you’ll need them.”

Rosie rushed around, twisting knobs and checking drawers. “Is this a closet?” She opened a petite door opposite the bed, crouching to peer inside.

“Storage.” The woman shrugged. “Nanny quarters. Who knows.”

“I saw someone up here earlier.” June eyed the lace curtains. “At the window.”

“No. Just me here.” She nudged a frame straight. “But I’m on my way out. If you need something, call the owner. His number’s in the manual. Breakfast starts at 7.”

Rosie’s head emerged from the closet. 

“Wait. We’re literally here alone?”

“Honey, this isn’t the Hilton. You’re big girls. Bathroom’s down the hall and don’t leave the key if you go roaming,” she warned with a finger. “That downstairs door locks every time it closes and you don’t want to be stuck outside.”

“Because of ghosts?” Rosie grinned.

“No, baby. The heat.” She dropped a key in June’s palm. “Anything else ya’ll need?”

“Don’t think so, thanks.” June stared at the curtain. She definitely saw a hand. A dark one, at that.

“You girls have fun.” She closed the door behind her. They heard her walk downstairs then high-fived.

“Meant to be,” June smiled. 

“For reals.” Rosie lazed on the edge of the bed, falling to her side. “This room’s creepy as fuck.” She stared at the mantle. “D’you suppose they put the dolls in here for affect?”

“Probably.” June approached the two porcelain dolls, staring vacantly, one trapped mid-sentence. She reached out to touch her, but thought better of it. 

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“Why dolls gotta be so creepy.” Rosie asked.

“Because you don’t know what they’re thinking.” June turned, eyes frozen, mouth pursed in her best creepy doll impression. “Except I know what you’re thinking.”

Rosie rolled on her belly. 

“What am I thinking.”

“You want a cold beer.”

“Cor-rect.” Rosie slid off the bed, dislodging her wedgie. “But let’s explore before we lose daylight.” 

They patted pockets for keys and phones and left the room. Smile, dude. June blew a kiss to creepy portrait guy on her way downstairs and held the bannister tight. One beer too many and these steps would be suicide. “How is this place empty in summer?”

“Because it’s a thousand degrees.” Rosie bumped the door open with her hip. “Smart people are swimming right now.”  

They paused on the porch, scanning the empty grounds.

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“Slave quarters, first?”

Mmm.” June nodded, then — “Actually — you go on ahead,” she paused. “I’ll meet you in a sec.” 

“K.” Rosie walked off, scratching her shoulder. And June breathed deep, fighting the twist in her belly. Only takes 2 minutes to reset your mind, her mom always said. 120 Seconds. Just step away and breathe. And where better to do that than nature. She i n h a l e d  long and deep, watching Rosie make distance thru moss-flanked trees.

True, her imagination was robust. But curtains didn’t push to the side by themselves.  E x h a l e. She stepped on the grounds, following a thin footpath through the trees. Maybe it was that lady getting the room ready. Except the lady was white and that hand wasn’t.  

I n h a l e. And that impulse to leave the moment they arrived? That was weird. She stepped over an anthill. Though ‘leave’ wasn’t the right word. GO, she’d felt. RUN. Getthefuckoutofhere.

The trees grew dense further out where a pond separated the main house from the old slave quarters. Where Rosie was. I n h a l e. She reached the gravel road, exhaling to the trees. She did feel better, though damn she should’ve changed. She yanked her shorts down. Denim had a way of chafing in high heat. And there was Rosie up there, sitting cross-legged on the ground, reclining on her elbows. Eyes closed to the sky in her mauve cotton sundress, flecked with white. All she needed were dragonflies fluttering around her head to make her look like a still from some anime.

“Hey.”

Rosie startled.

Hey.” She extended an arm and June helped her up. 

“We shoulda brought water.” June peeled her Mom’s old concert tee (Steely Dan ’76)  from her belly. 

“How do people even live here.” Rosie blew hair off her forehead then reached in her sundress, unlatching her bra. 

Great idea, actually. 

Sweaty boobs were one thing. Sweaty boobs smothered in cotton, constricted by wire was entirely another. June reached under and did the same. 

The frogs offered sympathetic percussion. 

It was Rosie’s mom who took them first-bra shopping in 5th. They ended up with thick white A-cups from JCPenneys while years later, June’s mom snuck them to Victoria’s Secret for some — what she called — real underwear. They held their bras and walked in silence, finally reaching the slave-quarters-now-guest-houses with rocking chairs adorning each porch. 

The cicadas buzzed their rapture.

Seemed kinda wrong to convert slave homes to comfy cottages, June thought, but didn’t say. Tourism aside, these were sacred grounds. And complaining about heat suddenly felt trite as History pulled a dark, hushing finger to its lips.

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“People had to work in this,” Rosie said, softly.  “Like, all day.”

A twig snapped behind them.

The girls turned.

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“Let’s go.” June touched Rosie’s wrist with a pinkie.

“ . . .  share beds with five other people and no a/c. Can you imagine?” She slapped her ankle. “Damn mosquitos.

They circled the pond.

A large family of ducks watched them pass, their feathered necks synchronized.

“ . . . worked like dogs.”

(Slaves, actually).

But June let her talk.

“ . . . then worked some more.”

They entered the thicket of trees again. The frogs croaked louder.

“ . . . treated like shit then had to wake up and do it all over again.” Rosie reached up and snapped a branch overhead.

A man coughed.

They whirled toward the noise.

To an empty forest, dappled with dying daylight.

“Did you hear that?” Rosie froze. Hello?” She charged forward holding her branch like a wand. “I heard it, June,” she said over her shoulder.

“I did, too.” June looked around, her knots twisting tight. “Maybe it’s the owner,” she said. But no one was there. Only a small clearing with a crumbling bench and aging statue. 

“Then why isn’t he answering?” Rosie called again, this time to the treetops. “HELLO?” 

June glanced back to the house. To the curtains on the second floor.

A branch snapped and June grabbed Rosie’s wrist. —an involuntary response.

“Get your phone,” Rosie whispered. “Something’s here.”

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June plopped on the bench, wishing she had a tree to lean against. It was easier to endure feeling watched with your back against something. This is why you came. She pulled out her phone, tapping Instagram with her thumb. To be scared. So quit being a baby. She jabbed the icon a few more times. Ghosts or no ghosts, The Myrtles would provide some pretty pictures. Open, dammit. 

She watched Rosie, circling the statue, running her hand over its folds, head tilted contemplatively.  She tried to open Facebook. A $600 phone needed to freaking work when she pushed the damn button. She tossed the phone aside, bending to pinch an ant off her ankle. Maybe the trees inhibited wifi. I n h a l e. It wasn’t quite as hot now. But air still glommed to her like a wet blanket. E x h a l e. And that cold beer was gonna taste GOOD. She resisted the urge to turn. Maybe it was dusk settling. Or distance from the main road. Or the grand house making her feel like a diminutive in some model, waiting for a giant hand to pluck her into the air — legs dangling — and place her elsewhere.  (A bar would be nice).

“Rosie?”

She stood behind the statue, head tilted sideways, humming.

“Rosie?”

June stood, wishing there were other guests. I mean, it was cool and all being there alone. But certain situations were meant for shared experience. Fine Dining. Roller Coasters. Haunted Hotels. Because isolation did weird things to people.

Rosie,” she said louder, blocking images of The Shining family— Wendy, Jack, and Danny (and Tony) from her mind.

Long corridors.

Bloody elevators.

Those twins dressed like dolls.

ROSANNE.”

Rosie stood frozen, facing away. Her stick dangling low. 

“Imagine being raped by the man who bought you.” She loosened her fingers, dropping it to the moss.

What? 

Oh.

Chloe. 

She was talking about Chloe. The pretty young house slave made concubine by her owner, the married Clarke Woodruff.

“ . . . taken from Momma. Made a whore. No one to cry to cos everybody gone. But still you gotta work. Harder in front of Missus because she know. And only thirteen. Can you imagine?”

June slapped a mosquito on her arm. No, she couldn’t imagine that.

Rosie straightened, looking all the way up. 

Into the branches.

The show said Clarke Woodruff pulled Chloe indoors to serve his needs, but later severed her ear when he caught her eavesdropping. So out she went again, this time an outcast. Jealous and superstitious, her own people hung her. 

“I can’t imagine keeping that secret.”

“Like when you fucked Jonathan?” Rosie rounded.

Insects buzzed between them.

Dude,” June said, cautiously. “What is wrong with you.”

Rosie yanked out her ponytail and bent down, clawing fingers through damp hair. “Ugh, let’s go inside.” She whipped up again. “I’m hot.” She twisted her hair into a bun.

But June didn’t move. 

In their 27 year history, Rosie only snapped at her once. Once. And that was for leaving her makeup in the car where $300 worth of Clinique melted into a non-refundable peach-rose sludge. “What’s that?” she asked instead.

“What’s what.”

“That thing in your second hole.”

Rosie pinched her right lobe. “I found it by the pond.” She spit on her fingers, rubbing the dainty green earring, crusted with mud. “It’s pretty, right?”

“Gross! And you put it in your ear? It probably belonged to some fat racist with hep C.”

Rosie giggled and they walked toward the house. The lamps had come on; their steps drowned by a crescendo of cicadas.

“What happened back there?” June linked her right arm through Rosie’s left —an involuntary habit since 2nd grade. “Why’d you freak out on me?”

Rosie rest her head on June’s left shoulder (also their habit). “I’m sorry, Junebug. Let’s get in our pajamas and drink beer.” She wiggled her fingertips. “Maybe the ghosties will come.”

The girls crunched along gravel to the porch. 

They did not see the lamps flickering behind them.

Nor the little black girl.

Following silently behind.

* * * * * * * *

Chloe

1808

I try not to think of dat day, dat day I loss Momma. We was standin’ together a bunch a us outside. There was flies and a man hollerin’ out numbers and white ladies fannin’ theyselves watchin’. The white mens came up and poked on Momma, my sister, then me, squeezing our arms and legs like we was pigs. Talkin’ bout our light skin.

“This one!” 

Some ole man grab my sister and pull her so fass she trip. So he slap her head and tole her to keep up. Momma din’t look as they carted her away. 

Den dey took my brother, talkin’ bout small fingers is good for cotton. He jus turn three. Which leave my big brother swallowin’ deep. Whisperin’ hard to Momma that he love her. And he continue sayin’ it til a tall man push him out the line den chain him to six other mens.  Kickin’ the lass one in the ass so they start walkin’. Momma start shakin’ so I grab her hand.

Den Judge approach. Brown hat. Shiny boots. Black and silver mustache. Walkin’ round the rest of us. Lookin’ up and down up and down like we was bacon. Den he stop in front of me and Momma start whimperin’. Talkin’ to the dirt. Askin’ God to please jus kill her. I squeeze her finger.

* * * * * * * *

We live together yesterday. Me, Momma, brothers, and sister in a big white house with nine other slaves. In all us black faces we’s the only ones coffee colored. Master was nice to Momma, real nice. But things change after Momma deliver my baby brother. I saw his Missus standing by the window, lookin’ in. Lips all tight like a asshole. Den we heard lots of hollerin’ in the big house and next thing I know we standin’ there for sale. Momma jigglin’ the baby.

Judge pull me out the line. 

Look at me, he say.

I look.

He stuck his finger under my lip, liftin’ to look at my teeth. Den he reach up my dress and squeeze a top of my leg, right next to my privates. I felt Momma stiffen.

“This one!” he hollered, cuppin’ my chin. 

Eveything happen fast after dat. We ‘pose to be quiet. But Momma cryin’ as Judge lift me in his wagon, raisin’ an arm to the sky, askin’ God what did she do. Den a white lady took my brother from her arms and I seen her run after dat lady and the auctioneer punch her to the dirt. 

Momma cryin’. 

Baby cryin’.

The whole world cryin’. 

I watch til she was a speck that disappear and Judge looked down. Say if I did what I was tole he’d never hurt me. 

Den he whip his horse to run faster.

* * * * * * * *

The Myrtles

 1808

The new house smaller den my old one. 

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We’s about ten sleepin’ in three rooms behind the kitchen. Judge tole an ol’ slave name Pearlie take care of me. Pearlie skinny and quiet like a ol’ momma dog whose pups all died. But Pearlie don’t have to tell me much. 

White folk’s mostly the same, even if they pretend they not. What they promise God on Sunday ain’t what happens on Monday. But I learn the nicer you is to they kids, the nicer they is to you. And the more you let the mens touch, the less likely they is to hit. 

One day Judge press hisself against me while I was scraping coal.

Missus din’t see. 

But Pearlie did.

You be careful wit dat she say, rubbing fish oil on my lips, cracked from the sun. Pearlie skin like tar, with grey eyes that cut you sideways. Mines green, like Master before. Missus find out, she’ll whip you raw den rub pepper in the holes, she warn. But Judge’s attention got us extra. Fish on Friday. Biscuits on Sunday. Pearlie stop warnin’ after dat.

Den one day Judge say, You come with me, Chloe. Missus need you in the house. 

But Missus wadn’t in the house. Wadn’t nobody in the house.

Judge led me upstairs, den tole me to get in da tub.

I stare at the same water Pearlie boil hours ago for Missus who like smellin’ like roses. They still petals in there.

I ain’t never took a bath, suh.

Well, Chloe.He loosen his belt.You start by taking off your clothes.”

He rub his finger between my bress and I know I’s in trouble. But slaves got no business being shy. My dress fell to my ankles and I sunk myself in Missus’ cole water while he walk to her dressin table, openin’ her jewry box with one hand, fiddlin’ hisself with the other.

You know why I picked you, Chloe? He say, pullin’ out some earrings.

No suh.

The water was so cole my skin prick against it. 

Because green’s my favorite color, he say, kneelin’ beside the tub, danglin’ Missus’  emeralds in front of my eyes. Den he stick dem earrings in my ear and back away.

Wash yourself, Chloe.

So I did and he watch me. Eyes full of words he don’t tell God.

Den he help me out. Tell me to lay on the bed. I stare at the ceilin while he lick me.

Den the door open 

and Missus walk in.

 * * * * * * * *

Rosie & June 

“What’s today?” 

Rosie sat in the velveteen wingback with an unopened beer.

“23rd, why.” 

June took a long slug, handing the opener to Rosie.

“I feel funny.” She opened her bottle with a fizzy sigh then lifted her chin for a drink, tossing the opener in her suitcase. “We don’t start for another week, right?”

Right. 

“Funny how.”

Rosie slumped back. 

“I dunno. Hot. Closed in.” She stroked the armrest with a pinkie. “Like I need to be outside.”

“Well, go outside. I’m gonna take a shower because I stink.” June raised an arm, gesturing an invitation.

“I believe you.” Rosie swigged her beer. 

“You look for an EVP app on your phone.” June rifled through her bag for toiletries. “And I’ll meet you outside, k?” 

Rosie thumbed her earlobe, staring at the wall. 

“ . . . Rosie.”

She turned slowly, her eyes vacant.

“Dude.” June’s neck pricked. “What’s your deal.”

Rosie stood abruptly.

“I’m going outside.”

“Please do. You’re acting like a freak. I’ll meet you downstairs.”

June stepped into the foyer clutching soap, shampoo, conditioner, moisturizer, lotion, witch hazel and a small pouch of cotton balls and Q-Tips — irritated the facilities were separate. They could’ve given them an en suite since no one else was there. Girls needed nearby toilets for middle-of-the-night peeing.

Her bare footsteps echoed deep within the floor and she imagined owning the place, just for a second. Walking around in fancy taffeta bossing everyone around. Ringing bells for mint juleps. Now they were inside with the lights on, it was kinda fun being alone. Now that she’d gotten over herself.

Years ago, they only watched scary movies at June’s house. Rosie’s mom said horror films incited the devil. But June’s mom said Kubrick was a ground-breaker, popping The Shining in the VCR. So they sat on their grandmother’s couch, knee to knee, eating gummy bears. Rosie sticking fingers in her ears during the scary parts. Then they’d lie awake all night admitting fears: (Rosie: sad clowns) (June: sinkholes) reliving the woman in 237. Rotting in the tub. Chasing Jack down the hall, arms extended. Skin slopping to the floor.

Ugh.

June dropped a shampoo bottle, bent to retrieve it, and stood to the cheerless woman, staring from her portrait.

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You don’t help, she muttered, hugging her bottles tight. Whatever else you could say about the Myrtles, there was a genuine feeling of being watched.

Bath.

June paused, her hand on the shower room door.

The word came loudly. 

Like a thought that maybe wasn’t her own.

Bath? 

Yes, a bath would be nice. But their room didn’t come with a bath. Only a shower. Anyway, she just needed hot water and soap — she whiffed herself — like, nowShe managed to push the handle with her elbow when the adjacent door clicked.

June stared, backing away slightly.

Are you fucking kidding me?

But the door wasn’t kidding.

It opened slightly.

Inviting her in.

BATH.

* * * * * * * *

Rosie

Rosie stared at the wall, neck sideways. Braiding and unbraiding the same lock of hair. Humming mindlessly.

Pipes squeaked a few walls away. 

Maybe she needed a shower, too.  Louisiana had a very special way of closing in. She popped her neck left. Then right.

Then her knuckles.  One at a time.

Searching the floor. 

Braiding her hair.

What was she doing, again? What had June asked her do?

Her breath was stale and dry. Like old paper. And her joints ached. 

EVPs. She was supposed to find an EVP app so they could ask Spirit questions. She bent to the floor for her phone.

GET OUT.

She sat up.

Back straight.

Eyes opening wide.

Yes, she agreed. Get out.

Click. 

The small door unlatched, the one in the wall. And Rosie turned slow, lips parting slightly. Ju—” she started, but the word ballooned in her mouth. 

The door swung open.

And she dropped to her knees. 

Crawling forward.

Humming a tune from long, long ago.

The door latched behind her.

* * * * * * * *

June

June stuck her head in the John Leake room (but only her head).  “Hello?” she called to no one in particular. Because that’s what you did in such situations, right? Just to be sure?She pushed the door open to a dark room dominated by sturdy furniture and felt the wall for a light switch (success) smiling to see an en suite and eureka! — a clawfoot tub. 

She slipped inside, leaving the door ajar in case Rosie needed her. She lined her toiletries and bent over the taps, twisting until steam filled the long, Victorian-style bathroom. Now this was a bath tub. None of that flimsy plastic bullshit their apartment called a tub. This — the water steamed and swirled in enameled cast iron— this was a tub. She peeled Steely Dan over her shoulders then sat on the edge, unstrapping her sandals. God, she stank.

The bedroom door creaked.

“Rosie?” She leaned forward, peering into the room.

Silence. 

June grinned sideways then stood, wriggling her shorts to the floor. This was the experience people wanted. To be freaked out over nothing. Still, asking questions would be fun. She’d seen enough paranormal investigation shows and knew enough Myrtles history to ask the right questions. She made a mental list: 

Is anyone here?

She stepped in the tub — shit! — and hopped out again, cranking the COLD full blast. 

Chloe? Are you haunting the Myrtles? 

She waited a minute then stepped under the cold downpour, marching in place though surely, Chloe wasn’t the only ghost. She sat on the edge, swirling the water with her foot.

If so, why are you still here?

Satisfied, she eased herself in. Surely God’s oppressed people went straight to heaven? She splashed her face, then shoulders then slid under, letting hot water cover everything but her nose, lips, and eyes. 

Ahhhhhhhhhhh.

She considered the Woodruff children —supposedly poisoned by Chloe. The famous picture showed two small figures perched on the roof above the slave apparition. Not quite as compelling as Chloe, but certainly worth asking. 

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Are there any children here? She sat up, squirting a pearly mound of shampoo in her wet palm. Legend said Chloe did it on accident. But really, she could’ve done it on purpose. Scorned women did some crazy shit.

She rubbed her hair in circles.

The floor groaned in the bedroom. LOUD.

— and June stopped lathering.

“Rosie?”

Silence.

  — then the slow, deliberate creak of another floorboard. 

Closer.

June’s breath shallowed, her chest hammering. The way it did when fear was real

Hello?” she managed, lowering her hands, white lather forming an island over her crotch. The Myrtles lost it’s hospitable charm right then. And her nudity felt wrong

When the boogey man jumped out in the movies, it was fun. That fear you felt — was thrilling. You gripped the person next to you, heart thumping, and laughed because you were safe. There in the theatre. Or on the couch. Together.

But this . . . 

Her mouth formed to call Rosie. But she knew it wasn’t Rosie. 

Rosie didn’t sneak.

Rosie bounced. 

Rosie had slightly less chill than Tigger.

The bathroom door creaked open an inch and she watched it unblinking, her bathwater a warm sheet of glass. 

You’re being ridiculous, she watched the doorway, too scared to blink. Just get clean and get out. She took a deep breath and bubbled under with the same fuckitness employed when bungee jumping or enduring that air-puff thing at the eye doctor. Just get on with it. She reached up to rinse when a shadow passed over.

A hand shot underwater, holding her down.

She opened her eyes.

And she clutched the wrist, screaming.

Warm water filling her mouth.

A (woman?) loomed over. Distorted by liquid.

Pressing her down.

Cackling.

Cold fingers circling her throat.

June arched and kicked, clawing the arm. Inches from breathable air. 

And the woman laughed at the naked girl.

Thrashing like a rabid dog.

So pretty in the tub.

* * * * * * * *

Mrs. Sara Woodruff.

Don’t talk to me about sin. 

Could I have whipped her? Sold her? HUNG her?  Why, yes . . . take your pick. I could’ve done any of them — with clear conscience, too. But my husband’s reputation precluded such action. Woodruffs were kind folk. Generous folk. Christian folk. Woodruffs didn’t use the word nigger. Why, we barely called them slaves. Help, my husband suggested, his mustache freshly waxed, stuffing tobacco in his ivory pipe. Sipping cognac delivered on a silver tray by a Congolese bought for $246.00. Help, he repeated, waving a manicured hand. Sounded more dignified. 

That twig-legged pickaninny scrambled up from under him fast as lightning but my back was already turned. Skirts held. Chin high. Poison rising. My stairway is chiseled walnut with mahogany inlay. My chandelier Baccarat crystal. And I took the steps slow, gripping the banister tight. I like pretty things, see. Imported things. Just like my husband. I walked thru my parlor. Past my portrait, glove box and writing desk. Blinking back fury. Propelled by anger so foul I was no longer me.

We keep our chins down, women. 

We read. We peel. We pray. We sew.  

Our lips are closed but by God our ears are open.  And I’d heard enough whispers to know there are ways to fix this sort of problem. 

My husband chased me downstairs. 

Onto the porch. 

Across the gardens. 

Onto the dirt toward the slave rooms.

But he stopped when I walked into the kitchens, which I knew he would. 

Men didn’t go in kitchens. 

I shut the door behind me.

Pearlie looked up from a dead chicken, a bunch of feathers in her fist, then stood from the table. 

Leave, I told the others. 

She lowered down, pushing a cleaver aside and folded her hands, gnarled like tree roots. Staring at me with knowing eyes.

Pearlie was old.

Pearlie was wise.

Pearlie was Haitian.

I calmly told her what happened. Then what I needed.

Look at me Pearlie, I ordered when her grey eyes dropped to the floor.

* * * * * * * *

She led me to forest that night. To the place they met in secret. She handed me herbs then cut my ear and ring finger with a kitchen knife, telling me what to say.

You best say it out loud so he know you mean it. She pressed a small glass of rum in my hand. Now you drink one sip den leave him da other.

I left it under a tree.  

And that night dreamt of a tall black man with a top hat and skeleton face, beckoning me in the forest with a crooked finger. I followed until he stopped and pointed to an oak branch twisting thick above my head. Where Chloe hung herself four days later, before breakfast.

I smiled in my teacup.

You work. Pray. Keep a nice house. Tithe. Host the parties and write the goddamn thank you notes. Make sure your name means something and for what

—hahahhaha ahhhh. NO.

You catch your husband face deep in the help then talk to me about sin.

* * * * * * * *

Chloe

Black magic come back on you. Pearlie din’t tell Missus dat part. Evil love to attack. Voodoo pay no mind to rules or who it hit. It jus work and keep workin til spirit be satisfied. Thas why bad happen to good people.

Missus tole Pearlie I need to suffer. So Pearlie took Missus to the forest, made her pick the herbs, mix the blood and the right words to say. Missus axe her to do it but Pearlie refuse. Say it would change the outcome. I don’t know if Missus saw her earrings on me. But I know they was on me when the magic found me. Plantin’ itself in my belly, spreadin’ like spilled ink. I seen what black magic do, so I climbed up a tree and hung myself to make it stop. But voodoo don’t work like dat. It stop when it want to. I been dead twelve days when my eyes opened again. Still swayin’. Flies swarmin’. No one bothered to cut me down. 

Fate gave Missus yellow fever fourteen years later. 

But voodoo woke her up again.

Pearlie din’t tell her dat part neither.

* * * * * * * *

June.

Water sloshed to the floor as June emerged, holding her throat. 

Legs unsteady as a fawn’s, she fell to the carpet, backing away like a crab. The hands . . .  the fingers . . . she could still feel them.

Holding her down. 

And that woman . . .  laughing.

She grabbed a towel and screamed into it hard. A door slammed nearby. She scrambled across the floor, knees scraping wet carpet. Reached for the smooth white knob and burst into the foyer, meeting the gaze of a woman stepping from The Ruffin Stirling room.

The woman startled, holding a pamphlet to her chest. 

June pulled the towel around her front and a trembling hand over her mouth.

“Are you alright?” the woman asked, but didn’t move forward. 

Daylight cut patterns in the sunny foyer. A man stepped behind the woman she halted him at the elbow.

I—,” June started, but it presented as sobs. 

She backed against the wall, sliding right. Looking around wildly.

Low chatter sounded downstairs. Outside, car alarms beeped and shoes clomped behind a nearby door.

“Do you need help?” the woman asked again, her body-language suggesting anything but aid.

June shook her head, wet hair dropping water down her shoulders as the couple shuffled past, eying her sideways. The man with a protective hand on his wife’s back.

June bolted bare-assed for their room.

“Rosie!” She threw open the door and looked around, simultaneously clawing through her suitcase. She yanked a dress over her head, inside out, then rushed to the window, warm with daylight. HOW was it daytime? She pushed the curtain aside. There were people down there, milling around the property. Slamming trunks and carrying luggage.

“Rosie?” she called again, acknowledging a faint pine smell and another she couldn’t place. A half-drunk beer sat on the floor beside the closet door. “Rosie?” She opened the door, ducking to peer inside. The pine smell was stronger. More acidic. But the closet was empty. And Rosie never left beers half-full.

She spun on her heels, grabbed her phone and clomped through the foyer down the steep carpeted stairs leading outside where sun hit her hard, melting reason on her hysteria.

Rosie said she was going downstairs. 

She could’ve hooked up and spent the night out. 

Was it feasible she met someone in the 30 minutes June was gone? 

Yes. Yes, it was. 

Except — June had (very) clearly lost track of time. And besides, the lady said, they were there alone. She rushed past a woman in period costume readying for her first tour of the day and into reception.

* * * * * * * *

Mrs. Sara Woodruff

Quit with your buts and and your hows — Death isn’t what you think.

Minutes. Hours. Days.

Those are linear constructs for mortal comfort. There’s no such rules where we are, so quit trying to reason.  I was dead what you’d call sixteen years before I opened my eyes again. Still in my bed, sweating with fever. And Chloe, standing in the corner, watching. Some unsatisfying form of the house around us. 

Lord, I could’ve drained the Mississippi my tongue was so dry. And my skin begged for oil. But in death there is no function. Only want and a pitiful desire to make it go away. Chloe saw me reaching and tried to bring water. And then I learned Hate crosses over, too. Her milk and two sugar skin, those twinkling green eyes. I knew the magic worked when she hung herself and celebrated quietly, daring my husband to grieve. 

And now here she was some empty version of herself, still trying to work. 

Me and Chloe. 

Chloe and Me.

We could open doors, but couldn’t feel breeze. Smell biscuits and bacon and roast and cobbler but never take a bite. Close our eyes and wake up what you’d call weeks later, still tired. Always tired. Always wanting. Never satisfied. Watching people come and go. Their sameness and dull noise. Their bigotry and deceit. Watching people sleep, especially the men. Remembering.

Because that part of me wants satisfying, too.  

* * * * * * * *

Chloe

One night a white lady stay alone, drinkin’ wine. Cryin’ in her pillow cos her man don’t love her no more. Missus was drawn to dat lady, strokin’ her head while she sleep, whisperin’ hate and revenge. And when dat lady woke with a white streak down the side of her dark head, Missus learn she could touch the livin’. 

Dat lady tore out so fass I doubt she pay the bill. 

But Missus felt a little less thirsty.

And now it go like dat. 

Spirit like offerins.  

And Spirit the only one can undo what been done. I leave pennies and trinkets by the hangin’ tree, hoping he’ll let me go. But he say not yet. Not til Papa satisfied. 

So I wait. 

But a rich white lady? Naw

She desperate. 

And Missus learn Papa eat fear like a child eat cake.

Now who the slave.

* * * * * * * *

June

“Honey, you alright?” An older woman pulled glasses off her nose.

 The girl was sopping wet.

“Is there anyway to page my cousin?” June white-knuckled the counter. “I haven’t seen her since last night. I just— ” She looked around the gift shoppe, bright and airy, a few people (suddenly quiet) doing their damndest not to stare.  “ —her name is Rosie. Maybe she spent the night with another guest, I don’t know, but something happened—” She started crying again. Remembering the fingers. 

“Honey —” She glanced at the other guests, lowering her voice. “We weren’t open yesterday.”

June straightened, angry but tempered.

“We spent the night in the Fannie Williams room. We booked online. We signed the guest book.” She scanned the counter for the large brown ledger. “The lady watched me sign it and gave me keys.”

“Which lady?” 

The phone rang and she answered, holding a finger to June. Yes. Yes. Would you mind holding?

June looked around as people’s eyes darted back to their breakfasts, spotting the ledger behind the counter in a glass front cabinet. The woman cradled the receiver then leaned in. “Honey. I appreciate what you’re doing but it’s not necessary.” She lowered her voice. “We aren’t open June 23rd. We never open June 23rd.”

“Ma’am,” she said, pointedly. “If you could please just come upstairs. Our suitcases are there and I still have the key. I’ll show you . . . please.”

The woman made eyes with a man sorting postcards that didn’t need sorting. “Be right back,” she told him, stepping from behind the counter.

They walked upstairs, across the empty foyer to the far right room.

“I left the key in there, I’m sorry. I’ll show you the reservation on my phone.”

The woman pulled a key from her pocket and opened the door.

And June rushed inside.

The bed was made.

Their suitcases . . .  

gone.

“We signed in,” she whispered, legs draining strength. 

She stared the mantle.

“Those ledgers are antiques, honey. We never open St. John’s Eve or Christmas Day. Just tradition, really . . .  honey? Are you alright?”

June walked to the fireplace.

Insides folding.

To the mantle.

To the dolls.

Reaching for the new one, lips parted.

Mauve dress flecked with white.

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The End.  

(Cue this song.)

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* * * * * * * *

Hey, y’all. Thanks for reading. In a few days, I’ll publish what really went down at the Myrtles, with original photos. If you’d like instant notification, please sign up to follow this blog.

I welcome your comments, as always.

love, 

Jennifer

RARE Beatles Interview! Houston, 1965.

This rare transcript is from the Beatles’ 1965 press conference in Houston, Texas.

San Antonio’s KONO aired the interview, then mailed copies to anyone requesting a transcript.

10-year-old Patty took them up on their offer.

52 YEARS LATER, Patty found the transcript while Spring Cleaning and sent me a surprise copy!

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So.

Without further ado I share it with you verbatim . . . minus their spelling mistakes.

(Sherridan? Really? )

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!

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How did you feel when you were trapped in the plane last night? **

Ringo: Terrified.

What are your plans for after the tour?

John: If we’re still alive, we’d like to rest.

No offense meant here: After your popularity runs out, what are you going to do?

John: Don’t know really. Haven’t really thought about it.

Do you think it’ll ever end?

John: I don’t know . . . All good things come to an end.

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A lot of people say the Rolling Stones and other groups have gotten more popular than you. Does this worry you?

George: No.

I understand that Lightnin’ Hopkins is a great idol of Ringo’s. Do you think you’ll see him while you are here?

Ringo: I do like him very much. But I don’t think I’ll get a chance to see him.

We have a television show here in Houston where we read the comic strips. Isn’t there a Beatle comic strip that is coming out?

Paul: If there is a Beatle comic strip, we don’t know anything about it.

Do you think you’re going to make another movie in the fall?

John: I think the next movie we are going to make will be in the Springtime.

Paul: It will be in Spain.

George: It is called ‘A Talent for Loving.’

Ringo: But we’ll probably change that.

Which country do you think has the most Beatle fans?

Paul: America.

This is to Ringo: I heard last night when you walked out of the plane and looked at all the fans, you were terrified . . . Were you really?

Ringo: You can bet I was terrified.

Paul, it’s been reported that you are going to marry Jane Asher . . .

Paul: It’s been reported, but I never said it . . . so what do you do . . . I don’t know about it.

Are you?

Paul: The newspapers seem to know, but I don’t know.

Did you watch the space shot preparations this morning?

George: No.

What do you think of the press conference?

John, Paul, George, and Ringo LAUGH.

It has been reported that in Playboy magazine that one of you said ‘All Americans are fascists.’ Quote unquote.

John: It sounds like something that was shoved into my mouth (laughs). I really don’t mean what that report had in it.

Oh, then you don’t think they are?

John: No.

Are the Beatles going to Mexico in the next year?

George: No, not planned. But we don’t know.

This is for Ringo: Have you picked out a name for your baby yet?

Ringo: No, I haven’t.

Why does Paul keep biting his fingernails?

Paul: (laughs) I’m not biting my fingernails. I’m just chewing a bit.

Someone asked George if he had any brothers or sisters. George said had two brothers, and John said he had no sisters to speak of . . . Is this a direct slap at Mrs. Caldwell?

George: Yeah.

I read in a column in the Houston paper that Ringo had said, ‘Women should be obscene, not heard.’  . . . is that true?

Ringo: No.

How do you fellas like England?

Paul: It’s just like home to us.

What do the Beatles think of Texas?

Paul: We’ve only been to Dallas and here and we nearly got killed both times. **

Do you think you’ll ever get to San Antonio?

John: Well, not on this tour. Some of the other guys have told us about the Alamo.

What are you going to do on your days off the 23rd and 27th?

George: I’m not telling you!

Paul: Wouldn’t be a day off then.

What do you plan to do after this tour?

Ringo: We’ll go back to England and holiday.

George, would you take your hand off the mike? It’s causing a hum.

George: I kinda like hum.

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Right outside the hotel now, George,  there are several thousand loyal, excited fans who would tear you apart if they got ahold of you. How does this make you feel, now that you’ve gone through several years like that?

George: Well we’re organized, you know. I mean we have organized security forces. Nobody sees us leave the hotel. So how could we get killed?

Are Scotch and Cokes really your favorite drinks?

John: Ringo drinks Bourbon.

Ringo, is photography your hobby?

Ringo: No, not anymore.

Why did you drop it?

Ringo: I was sick of taking photos in a room.

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What do you think would be the perfect tour?

Paul: Well, one where we have good audiences and it is well organized.

On the Help! album, the British version, you’ve got a couple of tracks. One was strings and the other a country take-off . . . Are you going to do more things with strings or stay with sound as it is or what?

Paul: We only did the strings because . . . um, it was good for a change.

It’s beautiful! Really groovy, man.

Paul: Oh! Well, thank you very much!

What do you think of Elvis Presley?

George: I didn’t like this earlier records. I’ve liked him better these last few years . . . but he’s still, you know . . . it still doesn’t do much for me.

Paul, what do you think about the concert being scheduled the same day as the space shot?

Paul: Well, I hadn’t heard about the space shot.

With concerts causing all the headaches they do, have to sneak through towns and all that . . . why don’t you just ditch them and make your money off of movies?

John: Because we like it. We like doing concerts.

(applause)

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Paul, what is your favorite record?

Paul: I don’t know, really. There are so many good ones. The records I like are done by American groups.

What do you think of the American policy in Vietnam?

John: I’d rather not think about it.

What do you think about the rising popularity of Folk Music? Like Sonny and Cher and Bobby Dylan?

Ringo: Sonny and Cher is not Folk. But still we all like Folk Music. Especially the kind like The Byrds and Sonny and Cher.

Before too long it looks like you, George, are going to be the only single one in the group. Are you going to make it unanimous?

Paul: Wait a minute . . .

George: The papers keep saying Paul is getting married. But he knows nothing about it.

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Paul, are you getting married?

Paul: No.

Paul, did you like making Help! or A Hard Day’s Night best?

Paul: We enjoyed making them both. But I think we had a better time on Help!

Did you ever get tired of being Beatles?

John: We’d be dead if we did.

How did the critics in England rate your movie Help! ?

John: They gave it pretty good reviews.

What do you think of American teenagers trying to be more British than American?

George: I kind of like it, really. When we first came over here, we thought American girls dressed rather poorly. But now they seem to look neater.

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Does Ringo want his wife to have a boy or a girl?

Ringo: I don’t know. I don’t mind as long as it is one or the other.

Do John and Ringo have their wives with them on tour?

John: No.

Paul, do you like champagne?

Paul: No, I don’t like it at all.

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Is it true that you don’t consider yourselves musicians?

John: Yes, because none of us read music, you know. We are entertainers. Not musicians.

Do you think that you should be able to read music?

John: Yes, it would be very good for a young group starting out.

Paul, what did you have for breakfast?

Paul: I had half a grapefruit, some Shredded Wheat, and tea.

What characteristics do you admire most in young girls?

George: Beatlemania.

Do you approve of middle-aged Beatle-maniacs?

John: Yes, they are very nice.

Moderator: This will be the last question.

Will this be your last tour in America?

John: No. We haven’t scheduled another but there’s no reason for this to be our last tour.

Are you enjoying this tour so far?

John, Paul, George, and Ringo: Oh yes. Yes. Very much.

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The Beatles performing at the Sam Houston Coliseum, August 19, 1965:

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Facts:

Tickets were $5.oo.

The Beatles were paid $85,000 for 2 performances.

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** Over 2000 fans mobbed Houston’s Hobby Airport after a local station broadcast the Beatles’ flight arrival time. Teenagers swarmed the tarmac. Some even managed to climb onto the plane and mobile stairway to bang on doors and windows, preventing their safe exit. Officials had to extricate the Beatles and their managers atop a service truck used for unloading luggage. This was a year after a similar incident at the Dallas airport. 

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Thank you SO MUCH Patty for sending me this awesome piece of Beatle history!

I do know my grandmother took my 13-year-old Dad to this concert. Granny told me her ears rang for 3 days!  Anyone else reading attend this concert or remember hearing this interview? I’d love to hear from you!

With Love From Me To You,

Jennifer

 

Beryl’s Chicken Diary: Remembering Momma.

That lady ate your mother.

I closed my eyes.

Missus Jenkins has no tact.

I made the mistake of telling her about the last day me and Babs saw Momma. Which honestly, I try not to think about. It still hurts remembering that itchy-nosed lady and all her questions about gluten and additives.

“You don’t give them hormones, do you?”

She coughed in her elbow.

When the farmer said no, she reached down and grabbed Momma.

Just like that.

Why? Was she fat?

Me and Babs looked at each other.

Forcing Momma’s soft, warm, feathery body on our memory was more than we wanted to think about.

Let’s talk about something else, suggested Babs, who always says the right thing.

So they did.

They discussed yesterday’s maggots on last week’s banana peels and the overweight chihuahua next door.

–until it was time for sleep.

But I couldn’t sleep.

Not with Momma all warm on my mind.

Don’t be sad, Babs whispered, feeling me always.

So I thought about Christopher and the profound impact of human choice.

We moved to a feed store after they took Momma.

And it was awful.

There’s no easy transition from domestic freedom to cages and fluorescent lights.

Rabbits, kittens, pigs, turtles, parakeets, ferrets, chickens, mice . . .

The place was brimming with orphans, crying for love and sunshine.

Me and Babs spent weeks in that cage, tripling in size while animals came and went.

Our insides were prime for laying, increasing our chances for adoption. So every day was roulette.

I remember feeling really low that morning — resigning myself to a crock pot when I saw him by the soy-free layer food. Discussing eggs with Jennifer. Light bouncing off his head and paint all over his jeans.

Feed Store Man led them over and Jennifer stuck her pale face right up to the grate.

Don’t look at her! I warned, scooting to the back of the dirty cage we shared with an aging rooster and bossy Araucana whose name escapes me now. Momma was long gone but I remember what she said.

Never make eye contact with a human unless you wanna be picked for something.

But Babs had a bright red comb, and everyone knows red catches human eyeballs the fastest.

“That one looks good,” Jennifer said, pointing to my sister.

Oh please God, no.

The man opened the latch, reached in and grabbed Babs, who burst into flappy squawks. Really she was screaming my name.

He handed her to Jennifer.

The door slammed and I rushed to the front.

Please don’t take my sister, I pleaded with my eyeballs, sticking my beak through the grate.

Babs looked at me, her pumpkin eyes woeful.

I sank to the floor.

Then Jennifer paused.

“Let’s get two,” she said, suddenly.

And I stood back up.

Curcurcurcur, I managed, wishing my comb was bigger. Brighter.

Christopher peered inside.

So I locked eyes with him.

I had to stand sideways to do it but I locked eyes with him hard, sending all my feelings.

Please pick me.

I puffed out my wings a little bit.

My tiny heart pounded.

And that one.”

Feed Store Man opened the latch and grabbed the Araucana, who — of course — would give them pretty blue eggs instead of brown.

I knew it.

Humans and their ridiculous emphasis on color.

I sank back down again.

“Not that one. The other one.”

He pointed to me.

I tried to stand up.

But —

You know

that funny

feeling

when your

belly melts

into warm

relief

so fast

your top half

feels empty?

And maybe you might fall over?

Feed store Man scooped me up and handed me to Christopher.

Babs was so relieved she pooped right there, a creamy white dollop landing beside Jennifer’s unpainted toe.

And then what happened? Jenkins asked.

Then we came here, I said. And scoot over. We have this whole roost and poor Wanda’s squished against the wall.

I wonder what we taste like, Jenkins said, scooting over.

See?

No tact.

G’night, Jenkins. I closed my eyes, snuggling into my sister.  G’night, Wanda, I added. But she was already asleep.

That night I dreamt we were babies again.

Colored like buttered popcorn.

Scrambling over wood chips seeing who could cheep the loudest.

With Momma, watching from the corner.

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I miss you, Momma.

love, Beryl

P.S. I have a Facebook page now.  Would you be my friend?

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If you’re new, hi. My name’s Beryl. My story started last summer when I was brutally attacked and left for dead. I wrote down what happened and hijack Jennifer’s blog sometimes to write some more, that’s all.

 

 

 

 

 

 

 

 

 

 

BOOK LAB: Depressed. Addicted. Suicidal.

At 20, she overdosed on sleeping pills in her mother’s cellar.

At 29, she drove her car into a river.

At 30, Sylvia Plath finally killed herself by sticking her head in an oven.

Think about that a second.

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One night, she placed wet towels under the doors to keep her babies safe, turned on the gas, crawled in her oven, and died.

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Umm . . . hold up, Jennifer.

What’s up with this sad crap.

More chicken stories, please.

Hang tight, dear reader.

This is BOOK LAB. Not Oprah’s Book Club.

We conduct reading experiments and write about them.

But also, don’t you think mental illness needs more attention?

Why do we only talk about it behind closed doors at 100 bucks an hour?

Shall we make a long list of people gone too soon?

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Plath wasn’t an addict.

But people often use drugs and alcohol to quiet their screaming minds –thus ensues addiction, which — let’s face it– has a 50% chance of ending well.

Every person reading knows someone with crippling anxiety, mood or panic disorders. Someone addicted, depressed or bi-polar. Someone who committed suicide.

They say suicide is a coward’s way out.

I dunno. Selfish, maybe. But not cowardly.

I think it takes a lot of freaking courage to stick your head in an oven with two beautiful, babies sleeping upstairs.

Am I being flippant? God, no.

Depression and addiction run in my family.

I am privy to their quiet destruction and live in reverent fear of my own DNA. I am also a writer and extremely empathetic to the curses therein. But this isn’t about me. It’s about acknowledging this thing no one talks about AND paying respect to some authors who famously suffered and busted out some awesomeness anyway.

So I made it our assignment.

Read a book whose author was mentally ill, addicted, or committed suicide.

Was their real-life suffering evident in the writing, thinly disguised as fiction?

That’s what I wanted to find out.

Out of respect for these authors, I hope you’ll read on.black_line.gif

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I chose The Bell Jar for no other reason except that Plath appears on every ‘famous suicide’ list, and this is her great novel.

So.

Was Plath’s depression evident in her work?

Ummm.

YES. 

The Bell Jar was blatantly autobiographical. So much, it was published under a pseudonym in England only. Her family –namely her mother — fought its American publication and The Bell Jar didn’t hit American bookshelves until 9 years after her death.

The book– basically about a talented, young writer slipping into insanity– blew me away. I was worried it would be depressing. But mostly I found it REAL and strangely refreshing? By page 3, I knew I was going to love it. There were SO many delicious little neurotic passages, I had trouble picking just one to share at Book Lab.

Here the main character, Esther, describes an unsuccessful suicide attempt:

That morning, I had tried to hang myself. I had taken the silk cord of my mother’s yellow bathrobe as soon as she left for work, and, in the amber shade of the bedroom, fashioned it into a knot that slipped up and down on itself. It took me a long time to do this, because I was poor at knots and had no idea how to make a proper one. Then I hunted around for a place to attach the rope. The trouble was, our house had the wrong kind of ceilings. The ceilings were low, white and smoothly plastered, without a light fixture or a wood beam in sight.

Sylvia, I respect and salute you, girl.

I’m genuinely sorry I didn’t read this sooner.

I give The Bell Jar 5 stars and promptly put it on Staff Picks at the library.

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black_line.gifNedra chose this guy.

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He gave us Blade Runner, The Minority Report, and Total Recall.

In fact, his novels and short stories are the most adapted sci-fi classics in recent film history.

This is Philip K. Dick.

And poor Nedra had to call him PKD so as not to illicit giggles. For all our intellectual pomp, we really are perverted 12 year olds. At least I am.

But I digress.

Back to Dick.

PKD was plagued by vertigo as a teen.There were also signs of schizophrenia and eventually, visual and auditory hallucinations, likely caused by drug addiction. He managed to keep writing even though hospitalized. And at one point described a “beam of pink light being transmitted directly into his consciousness” and believed this light a spiritual force which granted him access to esoteric knowledge.

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Nedra chose this author because he’s universally regarded as a badass.

A Scanner Darkly is about an undercover narcotics agent who finds himself addicted to the very drug he’s trying to eradicate.

“I chose this book because it was less sci-fi than his others, about this agent going undercover and eventually losing his identity to drug addiction.”

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Did she like it?

“It was confusing to be honest. The main character plays two parts, split between two worlds, so it was hard to tell who was talking — which may’ve been the point. But Dick’s drug use is very evident in this book. I’ll also say his author note makes me want to read the book again.”

Drug misuse is not a disease. It is a decision. Like the decision to step out of a moving car. You would call that not a disease but an error in judgement. When a begin to do it, it is a social error. A lifestyle. In this particular lifestyle, the motto is “Be happy now because tomorrow you are dying.” But the dying begins almost at once, and the happiness is a memory. —– Philip K. Dick

Verdict?

A Scanner Darkly: 3 stars.

Dick was found unconscious on his floor and died five days later, having suffered multiple strokes. He was 53.

                                                        
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 Petra chose Leo Tolstoy.

 

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Tolstoy was born wealthy and lost his parents at a very young age. He suffered clinical depression, which worsened as he aged. Reportedly obsessed with death, he was critical of himself for not having the courage to commit suicide. He wrote in one letter, “The possibility of killing himself has been given to man, and therefore he may kill himself.

Let me just go ahead and publicly admit I’m a super big chicken-weenie when it comes to Russian literature.

I imagine the likes of  Anna Karenina and War and Peace heavy tomes of depressing, icy darkness and always impressed when people read them on purpose.

But Petra really enjoyed her books.

Tolstoy actually wrote several short stories, so she picked two:

The Death of Ivan Ilych and The Cossacks.

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The Cossacks is about a wealthy, young Muscovite who joins the Russian army in search of a more authentic life.

“Tolstoy wrote it in his 30s when he was still okay. It was autobiographical in that it was about a guy tired of society life,” Petra explained. “But The Death of Ivan Ilych, he wrote in his 50s. By then he was critically depressed and obsessed with death, which to me, was apparent in this book.”

The Death of Ivan Ilych is one man’s profound reflections on life when faced with his own mortality. It was written during Tolstoy’s spiritual crisis — the nine year period following the publication of Anna Karenina — which saw him give up meat, hunting and smoking, give away his copyrights, denounce his earlier writings as immoral, and embrace Christianity.

The Death of Ivan Ilych is considered a masterpiece on the subject of death and dying.

“I feel like writers are hyper-aware of everything around them,” noted Petra. “Every little thing is stimulus. It must be overwhelming.”

Verdict?

The Cossacks: 3.75 stars.

Death of Ivan Ilych: 4.5 stars.

Tolstoy died of pneumonia in 1910. He was 82.

Unknown-1.pngblack_line.gifOur next author ran a garden hose from an exhaust pipe through his car window and died, aged 31.

An envelope marked TO MY PARENTS  was discovered in the car, the enclosed note later destroyed by his mother, who never divulged its contents.

His mother also found an unpublished manuscript atop an armoire in his room.

That manuscript — sent to various agents over the next five years — eventually won The Pulitzer Prize.

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This is John Kennedy Toole, most famous for A Confederacy of Dunces, posthumously awarded the Pulitzer Prize for Literature in 1981.

Emily had already read (and loved) Dunces. So she chose Toole’s only other novel, The Neon Bible,  written for a literary contest at the tender age of 16 (!)

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The Neon Bible tells the story of David, a young boy growing up in rural Mississippi in the 1940s. Readers share his awkward, painful encounter with first love and meet his pious, bigoted townspeople.

“It’s kinda Southern Gothic, about quiet people dealing with isolation in a small town,” said Emily. “I definitely felt evidence of the author’s sense of loneliness. And the book ironically ends with a bang.

Did she like it?

“I loved it!”

The Neon Bible: 5 stars

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Everybody doing okay?

You sure?

Okay . . .

Moving right along.

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Raise your hand if you read Slaughterhouse Five in high school.

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Anna chose this guy.

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Kurt Vonnegut died at 84 from head injuries sustained in a fall.

He had a grandfatherly reputation. But he suffered depression, PTSD, shocking fits of rage and temper, and also attempted suicide.

Vonnegut witnessed MUCH tragedy in his personal life.

His mother committed suicide on Mother’s Day, for example. That same year, Vonnegut was captured by Nazis during the Battle of the Bulge and sent to Dresden as a prisoner of war, whose job it was to collect and burn bodies.

This ordeal continually popped up in his work, most notably in the book that made him famous.

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“My high school English class was divided in two,” said Anna. “Half read Slaughterhouse-Five and the other, a Brave New World. I was the Brave New World group, but distinctly remember the discussions about Vonnegut. That’s why I chose this book.”

Did she like it?

“I don’t know how he managed to combine war, spaceships, aliens, and time travel. But he did,” she laughs. “Knowing what he suffered at Dresden, I really did feel his deep well of despair. This book was very well done.”

Verdict?

Slaughterhouse-Five: 4.5 stars

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Now finally,

this old sport.

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F. Scott Fitzgerald, alongside wife Zelda, are THE poster children for glittering excess in the Roaring Twenties. In their Paris years, he and Zelda were drunk for days at at time, their lives a gilded blur of manuscripts and champagne, fueled by ego, and funded by Gatsby.

Tecla (our celebrity guest this round) openly admits she never liked The Great Gatsby.

“I tried and tried and tried to love that book. I gave it so many chances. But I just couldn’t finish it! Still. I wanted to see what I was missing. So I decided to try Tender is the Night, which took him TEN years to write.”

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Tender is the Night is the tragic love story of a stylish American couple.

Hmmmm.

Sounds a little familiar.

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“The husband is a brilliant psychiatrist, and his beautiful wife lives in an asylum. The main character spends a lot of time writing letters trying to make people understand what they’re going through. Zelda was institutionalized in Switzerland at the time, so the story directly reflects the Fitzgeralds’ downward spiral. Also, he wrote it on stimulants.”

Did she like it?

“I did. But I could only read it in small doses because it read like a 1920s movie. Still, I’d recommend it.”

Tender is the Night: 4 stars.

At the time of his death, Fitzgerald was reportedly drinking several pints of gin a day.

He suffered an alcohol-related heart attack in 1940, and died believing himself a failure.

He was 44.

Zelda perished in a fire 8 years later, locked in a room in her asylum.

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And so it goes.

Mental illness is a silent creeper.

A shape shifter.

It cuts. Overeats.  Gambles. Takes pills. Drinks. Lies. Steals. Vomits. Snorts. Injects. Blames. Hides. Makes excuses. And lashes out.

I’m of the mind we’re all in this together.

So be aware.

And be kind.

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To everyone

and everything.

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National Suicide Prevention Hotline: 1-800-273-8255

Substance Abuse and Mental Health Hotline: 1-800-662-4357

love,

Jennifer

Q & A: Haunted Beds and HOW DO I CONTROL THIS ‘GIFT’?

Q: Let me start with: I’m not crazy.

I often feel other’s moods, and places or things that have a past. People call me when weird or bad stuff is happening in their life. And I guess that requires an explanation. My neighbor had a sister living with her and thought there might be a spirit or something in the house because her sister wasn’t sleeping well.

I don’t see spirits, but I told her I’d see if I could help ‘feel’ a presence and pray with her. I went next door, into the room she thought the spirit was. Truthfully, I felt like I was suffocating the closer I got to the room. It felt very heavy, like a struggling to breathe, and it got worse as I approached the bed.

I told my neighbor that something wasn’t right with the bed. She explained a child had died in the bed before, under suspicious circumstances. And I later learned the child had suffocated.

I’m writing you because I need advice on how to turn off the feelings/energy or whatever it is called. I work in the medical field and spend a lot of time in hospitals. If I can’t control it can you at least tell me how to manage it so I don’t get overwhelmed by people’s feelings/emotions/illnesses?

I tried meditation, but it seems to make it worse. Maybe I’m doing it wrong. All I know is that I have to be able to deal without it wearing me down. Even being in a room full of people is exhausting. I would appreciate any advice. Again, I am completely sane and I know how crazy this sounds.

Sarah

A:

Hi Sarah!

All this all sounds completely normal to me.

Spirit often tells us how they died by sharing a physical feeling. Chest pain if they died by heart attack, shortness of breath to indicate suffocation (like you experienced), etc.  But in your neighbor’s case, I think it was the bed you felt.

Is the bed haunted?

No.

Allow me to share a similar story.

I recently spent the night with a friend –and for no reason– woke in the wee hours feeling very anxious.

I went to bed happy. But now my heart pounded. My thoughts raced. I felt fidgety. Most inexplicably, my fingers wanted to shred paper to relieve anxiety.

Eventually the feeling passed and I fell asleep, but not without confusion. I’d slept there many times without incident.

“My sister stayed over before you,” my friend admitted the next morning.

Same room, same bed. And yes, her sister suffered moderate to severe anxiety. And not just that —- she wadded tissues.

“I cleaned up before you came. But seriously, Jenn. There were shredded tissues everywhere.”

She also had a confession.

She didn’t wash the sheets.

Interesting, right?

So this isn’t about a ghost. It’s about energy.

The tingling well-being that spreads among people gathered in prayer.

The heaviness people feel in cluttered antique stores.

Or the tension that lingers after a fighting couple has left the room.

Objects carry residual energy, too. It’s science. Stand next to a campfire, you’ll feel heat. Technically, that’s thermal energy carried through electromagnetic waves, but whatever. Your hot skin proves the energy exists.

Energy can neither be created nor destroyed. It just changes form, right?

So whatever trauma happened on that mattress is still radiating in some form. In simplest terms, the sister felt it in one way, and you felt it in another.

Can objects be ‘haunted’?

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Yes.

(But that’s another blog entry.)

Onto your second question.

How to control.

Clearly you’re gifted, Sarah. And wise to seek a handle on this.

Hospitals are overwhelming even if you’re not psychic!

I won’t tell you what to do, because everyone is different. I can only tell you what I do.

You mentioned being a praying person.

I am, too. So that’s where I always start.

I pray for help any time I need it, and often out loud.

Prayer and meditation open us spiritually, so you just gotta be super clear about who you’re letting in.

Remember that scene in Ghost when all those spirits lined up to talk to Oda Mae?

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The Spirit world is sentient. They hear and listen. 

So you literally have to ask for exactly what you want/need.

I have a widely-respected, professional medium friend who repeatedly asks Spirit and her angels to PLEASE not (visually) present in front of her because it would freak her out and then she couldn’t effectively do her work. And you know what? They don’t.

So before going to work, your prayer might be:

Dear God, thank you so much for entrusting me with this gift. But it really does overwhelm me sometimes. Please help me discern your will. And protect me from unwanted spiritual attention/distraction so I can do my best today. 

— and all beings not here for my greater good please go away.

(or something like that).

Amen.

You’ll be absolutely amazed how effective this is, saying it out loud.

Go ahead.

Try it.

And remember to mean it.

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I’ll wait.

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Oftentimes you’ll feel an actual LIFT in the space, like a big air vacuum sucking out the funk. That’s not your imagination. That’s you taking control of your personal space.

Which leads me to your next point:

Feeling overwhelmed in a room full of people.

Girl.

Don’t I know it.

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Like a slo-mo chokehold, right?

I especially feel it in malls, clubs, and casinos — or any situation where people fill emotional voids by artificial means.

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So (so!)  many people suffer this and don’t even know why. But it has to do with that energy we talked about earlier.

Still.

It is my unwavering belief that we have this ability to help others.

I suspect Healthcare called you for your innate ability to comfort and connect. It’s where you’ll shine the most.

So ask for help each day and let Spirit do their thing.

Then allow yourself to be a vessel through which divine guidance can flow.

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And shine on, girl.

HealthCARE needs you.

 

love,  Jennifer

 

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If YOU reading have a paranormal or metaphysical question, please send it to jennifer@jkabay.com. I’ll archive and answer as appropriate, when I can.